journal of museums aotearoa
Developing a community exhibition at Te Papa on New Zealand’s Scottish migrants, Kirstie Ross, calls for more lateral thinking in the display of social history.
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Lynette Townsend describes a multi-textured approach to exhibiting Scots heritage.
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Paul Thompson describes how changing tides turned the Museum of Wellington City and Sea from an exclusively maritime museum into a museum for all Wellingtonians and their visitors.
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Larry Robbins gives an account of a strategic alliance working to secure realistic funds for a range of Auckland amenities including the New Zealand National Maritime Museum
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Matthew O’Reilly encourages us to think “outside the square”, or perhaps more correctly about the square itself, reminding us that the frames of artworks have their own rewarding history and stylistic significance.
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Collecting and publicising good data on New Zealand’s museum sector makes us all winners, argues Jane Legget
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Joanna Cobley is convinced of the value to museums of “podcasting” and offers guidance to novice museums on practical considerations.
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Mike Dickison suggests that museums need to re-think their rationale for websites and identifies some common website problems
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Dot Dalziel draws on her professional experience of museum collection data management to offer practical advice for museums considering or reconsidering their options in the digital age.
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Phillipa Tocker describes a key strategic initiative for Museums Aotearoa which will raise the profile of collections as heritage assets of national value both individually and cumulatively.
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Rachael Davies enjoyed the recent North Island Curators’ Hui, held at Whanganui Regional Museum, 20th -21st September 2007.
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Michelle Osborne reports on a Networking Seminar for Curators held in Akaroa, 25 -26 October, 2007
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Adrian Norris is a Board Member ICOM NatHist and Co-Chair of the Working Group on the Art of Taxidermy and its Cultural Heritage Importance. He was for many years the Senior Keeper of Natural History with Leeds City Museums in the UK.
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Claire Regnault delights in surprising juxtapositions found during The Clark Collection / Creative New Zealand Scholarship experience, 2007
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Brett Mason puts to good use his valuable experience at a high-powered American course designed to launch novice museum directors successfully as they take up their new responsibilities.
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Meredith Robertshawe is pleased to see a comprehensive travelling exhibition showcasing the fossil heritage that is usually housed in research collections and less readily available to the public.
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Ashley E. Remer is not quite sure what to make of her recent visit to the Creation Museum in Petersburg, Kentucky USA, and leaves not yet “prepared to believe”
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How to look at a Painting
Author: Justin Patton
Reviewed by Linda Tyler
HTML | PDFMakereti: taking Maori to the world
Author: Paul Diamond
Reviewed by Keri-Anne Wikitea
HTML | PDFNew solutions for house museums: ensuring the long-term preservation of America’s historic houses
Author: Donna Ann Harris
Reviewed by David Reynolds
HTML | PDFWellington - A City for Sculpture
Editors: Jenny Harper and Aaron Lister
Reviewed by Susan Brooker
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LAST UPDATED: 28/06/2010